Anpanman, the inspiration of One-Punch Man


Note: this is a cross-post from a Facebook post I made.

Seeing that my Facebook timeline is being filled with a lot of One-Punch Man‘s existential crisis, I should probably talk about Soreike! Anpanman (それいけ!アンパンマン), a show I grew up with and what One-Punch Man is clearly based off of. They both fight against aliens with their signature one-punch, and their baldness and fashion style are eerily similar. Plus, anpan (red-bean-paste-filled bread) are delicious, so yeah, let’s talk about my childhood.

Anpanman is a children’s anime. Yeah, I don’t have a particular strong feeling with this one like I would with Doraemon or Crayon Shin-chan. It’s clearly aimed at just above toddler and younger elementary kids. Every episode starts with the titular character, Anpanman and/or his friends flying around town filled with anthromophic animals and…more (noticeably annoying) characters with food as heads. An accident would occur, and the hero/heroine swoops in to the rescue. This ranges from something as dangerous as a bridge breaking apart while a bus full of kindergartners was crossing it to something as petty as a kid who’s hungry. For you see, Anpanman and his friends, Currypanman (curry-bread man), Shokupanman (white-bread man), Melonpanna (melon-bread girl), etc. has superhuman strength and hilariously bad substance-related weakness (typically water). A western audience would immediately figure out what these characters are based off of. That said, they also have one more interesting quirk: their heads, being bread, is both edible and directly related to their strength. This becomes an interesting character study when Anpanman doesn’t hesitate to help that hungry kid by feeding him a piece of his own head, thereby weakening himself. Additionally, it works as a Deux Ex Machina because baker Uncle Jam and Batako-san seems to bake an endless supply of Anpanman’s head replacements (they also have a truck that doubles as a helicopter and submarine, so this isn’t as out-of-ordinary as one would think). They literally unscrew his last head to replace it with a new one. Either that, or shoot the new head from a distance, hence knocking off the old head and screwing on the new. Very metal.

This universe’s equivalent of Lex Luther is an alien named Baikinman (germ man), who also has a bratty but significantly nicer partner-in-crime, Dokinchan (heart-beat girl?). Baikinman is a bit of a mad-scientist, capable of making awesome robots in one night. He’s also childish, spoiled, and selfish, which combined with his mad genius, proves to be a deadly combination. His absolute insistence on destroying manners and consuming as much candy as possible (he also gets cavities a lot. Dude doesn’t learn) is what often causes trouble around town. That, and he hates Anpanman for his one-punch hits (Aaaaaaaan-puuuuunch!).

As with most super heroes, Anpanman is a classical straight-man, and Baikinman is the one-dimensional, psychopathic brat. Instead, it’s the side characters that are the most interesting. For example, Dokinchan, while selfish, immature, and often cooperates with Baikinman on his greedy schemes, gets very annoyed with Baikinman temper tantrums and frequent lies. This, combined with her crush on Shokupanman, often leads her to back stab Baikinman and even show some good will in a couple episodes. Currypanman is like Donald Duck: good at heart, but has poor anger management. He has the ability to spit acidic curry, which makes him comparably more destructive than Anpanman, so any episodes starring him is usually about the struggle of staying happy while dealing with annoyances that comes with fame.

Anyway, for those interested in seeing how Japan interprets super heroes aimed towards kids, Anpanman is actually pretty interesting cultural study. They do have an unusual focus towards proper manners and traditions, as seen by it’s opposite, Baikinman. That said, if you expect fast-paced action, blood, and gore One-Punch Man is known for, you’re going to be disappointed.

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The Tragedy of Racism in Japanese Media


Warning: racism will be openly discussed in this post.

In a podcast I was in earlier, there was a mention of black face appearing in the Dragon Ball Z anime, which the US localization team did their best to cover. The brief discussion about it being racist left me with mixed feelings, so I wanted to address some thoughts that propped from that moment. In short, I have a theory that many racist undertones from Japanese media are not a result of racist intent, but rather, consumption of racist foreign media from a clueless audience. And to be honest, that’s a rather tragic way of revisiting an old problem.

When it comes to the US, topics about slavery and segregation in our local history comes up starting around middle school, and most teachers emphasize how horrible they were, and how they still affect us today. In comparison, at least up to middle school level I was educated in, Japan doesn’t even talk about slavery in their local history (despite the fact that they obviously existed there), let alone anything related to the African continent. On top of this, Japan is an infamously homogeneous population, with 98.5% reported as ethnically Japanese as of 2011. To them, the racism against blacks might as well not exist: they lived through a completely different history that didn’t involve enslaving blacks, and since their country’s black population is so tiny, most citizens haven’t encountered a black person either.

So if a Japanese medium depicts a black face with no knowledge of historical context, and thus, no ill will, that’s not racist, no? While I do believe that the creators probably intended to create a cool looking character, it also tells me they’re depicting the worst kind of racism: one born from ignorance. Unlike what most “Japanese people are really patriotic” comments like you to believe, Japan does consume foreign media, and even crave it. Many manga artists, including father of anime, Osamu Tezuka are well-known to be inspired by American comics and films, especially Disney and Looney Toons. It doesn’t take a genius to figure out that any black face and other racial stereotypes are directly inspired by racist comics and films from the USA. And these stereotypes trickle down into their daily lives: since their presence in Japan is so small and thus, they have no real-life examples to go by, when a Japanese person does meet a black person, it’s fairly common for them to make a huge list of poor assumptions. Ironically, these very assumptions brings birth to fashion styles that attempt to depict the positives in that racial stereotypes (in comparison to Japan’s absurd level of politeness, anyway), which proves to be further damaging when they go out of style. In a way, Japanese media is a child learning from a racist father, the American media.

The part that I’m feeling most mixed about is whether this is something that can be solved, or even whether it should. I don’t, for example, think it should be Japan’s responsibility to learn the dark history of segregation in the US, similar to how I don’t think the US needs to teach Japanese history. As mentioned before, I genuinely think Japan uses racial stereotypes because “it looks cool.” It’ll be difficult to convince anyone that something that looks cool to them is actively harmful outside of their own country (side note: yes, it’s harmful inside their own country, too, but there isn’t many that can speak up against the practice). I frankly can’t blame the creators there not knowing any better: they are making media for their own country, and it falls under the localization team’s responsibility to adopt the medium to their country’s standards.

On the positive side, though, the reduction of black face appearing in the American media has reduced black faces in Japan as well, albeit slowly. It’s more common to see black people in mangas and animes now-a-days depicted as simply anime characters that just have darker skin; their lips are either not depicted or very thin pink, rather than the doughnut shape black face is known for. Japan’s way of stereotyping black people are looking less and less distinguished from how they depict other foreigners, too: obnoxiously curious about everything, rude, insensitive, violent, and more. I mean, yes, the xenophobia is a problem in and of itself, but it’s a bit humbling to see that they look at both white and blacks as equally annoying presence in their rhythmic lives full of manners and rules. Finally, American media that depicts segregation and their harmful effects are positively influencing Japanese media as well, with mature mangas like Billy Bat depicting segregation with the proper weight and respect.

Besides, it’s not like Japan can’t be intentionally racist, either. The Japanese population being racist against South Koreans and Chinese is a very real reality. One can easily see this in the standardized Japanese education, the very same middle-school-level education I was taught in, that fails to mention their historical slavery practices. I get very wary of Zatch Bell!‘s depiction of Li-en, and in particularly, her strange, thin(ner) eyes. While she’s a character that, fortunately, kicks ass and is a fantastic ally, her racist design is something the artist must have been informed of, and chosen deliberately. I hope that you, consumer of Japanese media, don’t learn from these stereotypes depicted by the racist father, the Japanese media.

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